Drinking Hanging Out In Love. In his book Global Minstrels: Kula Kulluk Yakisir Mi is outstanding for its depth and truly masterful execution, but more than this, it is revelatory in the way it connects players to one another inside the music, and listeners to both musicians and sound, as it evokes emotions that are far beyond the reach of words. It translates loosely as "How unseemly it is to follow anyone slavishly. Jazz Latin New Age.
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Post was not sent - check your email addresses! In his book Global Minstrels: Abe Maneri and Tom Jameson: Romantic Evening Sex All Themes.
Kula Kulluk Yakişir Mi (Live In Bursa, 2011)
Kula Kulluk Yakisir Mi. None of the five improvisations here reaches four minutes. Streams Videos All Posts. Drinking Hanging Out In Love.
At key moments, the musicians get swept up in the power of it all, building from kuoluk elements to powerful abandon. Although the improvised portions are distinct from their evergreen counterparts, both draw upon the remembered and the unknown.
Its title is taken from the folk song by the late prolific Turkish folk musician Muhlis Akarsu. While everything here feels like it is of a piece -- the performance never seems to stop -- it doesn't necessarily sound like it.
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Notify me of new posts via email. There are poignant silences within these arrangements, where the individual or paired instruments resonate as if to underscore meaning, either directly intended by a piece or intuited from it -- check the two-minute mark of the traditional "Alli Turnam," where the theme trails off, is followed by a naturally echoing space, and then turns back on itself to speak of the troublesome historical present even as it addresses a more innocent past.
During that long interval, the pair have played together so often, they appear to have perfected a musical language that walks not only between various musical traditions but through them simultaneously, coming through the other side with something timeless.
Kayhan Kalhor and Erdal Erzincan: Kula Kulluk Yakişir Mi | Financial Times
You are commenting using your WordPress. The final nine minutes, entitled "Intertwining Melodies," weave four traditional songs and become an extended improvisation upon them all, even as they are united in one flowing river of sound, history, and mystery. The degree of intuitive interplay is so high, it is almost impossible not to regard these as formal works. These two sages embrace order, even as they convey the chaos of things, turning night into day.
Kullul is an Iranian master of the kamancheh oulluk fiddle. They are informed by the traditional songs that precede them and foreshadow those that follow, as they shift and transform songs into sounds that are both beguilingly strange and ancient -- familiar in the body's cellular memory and in the heart's present moment. See this article as it originally appeared in RootsWorld online magazine.
The result of their joint ambassadorship is an exchange of musical interests, passions, and respect in selfless conversation.
Leave a Reply Cancel reply Enter your comment here He has a relentlessly mercurial musical mind. Genre Avant-Garde International Jazz. Erzincan is regarded as the greatest living practitioner of the Anatolian baglama tradition it is also called a saz, a long-necked lute type of instrumentand like his partner here, possesses a wildly adventurous spirit, not only in moving from Turkish folk and Western classical traditions with seamless ease, but ,ula as an improviser.